Bad Lieutenant - Nicolas Cage & Eva Mendes star in Werner Herzog’s darkly comic modern film noir

Nicolas Cage has long been a Movie Talk favourite – not least because of his gung-ho zeal to go that extra mile when it comes to delivering totally whacked-out film roles.

He doesn’t go quite so far as eat a live cockroach on screen in Werner Herzog’s darkly comic crime thriller Bad Lieutenant, but his deliriously unhinged portrayal of the film’s titular bent cop certainly ranks right up there with his most memorably off-kilter performances.

Cage’s character, Terence McDonagh, is a New Orleans police officer who’s been left with permanent back pain after rescuing a prisoner from drowning during Hurricane Katrina. He’s been self-medicating ever since, graduating from prescription drugs to a serious coke and crack habit.

Add to this an out-of-control gambling addiction and you’d think McDonagh would be the last person to get on top of a torturous murder case involving the slaying of five members of an immigrant family by a local drug lord. Yet McDonagh’s warped methods prove surprisingly effective.

The way the plot pans out is partly Herzog having fun with the police procedural genre, but it’s also, I reckon, a way to distance himself from his film’s source – Abel Ferrara’s 1992 Bad Lieutenant, which starred Harvey Keitel as a corrupt-to-the-core New York cop whose pursuit of the thugs who raped a nun in a church gives him a shot at spiritual redemption.

Bad Lieutenant - Harvey Keitel stars in Abel Ferrara’s 1992 film Bad Lieutenant - Nicolas Cage stars in Werner Herzog’s offbeat reinvention of Abel Ferrara’s 1992 film

As anyone familiar with Herzog’s films will tell you, spiritual redemption doesn’t figure at all in his world-view. “I believe that the common denominator of the universe is chaos, hostility, murder,” is how he summed up his bleak outlook in the voice-over for his 2005 documentary Grizzly Man.

Herzog claims he’s never seen Ferrara’s Bad Lieutenant, but his version (from a script by William Finkelstein) doesn’t just loosely parallel the original film’s plot, his star also follows Keitel in his willingness to embrace close-to-the-edge improvisation.

Keitel famously improvised much of his role in Ferrara’s film and Cage does the same here, coming up with some of the movie’s most striking moments in the process.

He came up with a bizarre speech about an American footballer sprouting antlers this way, as well as the equally bizarre phrase “to the break of dawn, baby”, which McDonagh riffs on while brandishing a gun in the face of gangster Big Fate (rapper-turned-actor Alvin Xzibit Joiner

Olivier’s Richard III.

That’s very good, or rather, very bad, company to be in.

Released on Blu-ray & DVD on 27th September.

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